Congratulations to Wendy Greenley of Blue Bell, PA, the winner of the Signed Book Giveaway through Elizabeth O. Dulemba Blog. Big thanks to Elizabeth for such a fantastic review.
Frank is winging his way to you Wendy, keep an eye on him though, as he's easily distracted : )
If you happen to be in or around The British Library, pop into the Book Shop & say hello...
Many thanks to Rob Biddulph, who's fine book Blown Away sits centre stage. Honoured to be hanging with such great Picture Books.
If you are looking for a copy of Frank! , please go ask in you local Book Shop/Book Store, it's super important that we support our local shops, so hunt one down & go ask for a copy.
It would be lovely to see the variety of book shops you find Frank! at; so take a selfie with Frank! & tag me Connah Brecon on twitter or instagram with the #Frank!InTheHouse hashtag I'll repost the best shots.
So here we go with the spreads, starting at page 3
So, in the last post I eluded to a 'switch-up', which is the fact that we don't see the real Lucy Frost until the end of the story. We assume Lucy is the elephant, which of course she is, in disguise, but she doesn't get lost through the story, so what are we referring to here? The characters are so absorbed in their fantasy costume play that they forget who is who inside the costumes.
This is not the main driver in this story though, what we see is Lucy consistently being left out of or feeling unable to join in the activities with the others, until she draws attention to the fact that 'Lucy' is lost & from there she controls all that transpires. Yes, this win is built on a subterfuge but as you know "if you can't join them, beat them"
As promised, I'll keep you up to date with the process & what transpires from here. The spreads have been compiled into a PDF & sent off to my agents for comments & feedback, which I'll also keep you aware of as they come in.
Even though there undoubtedly will be changes to make I need to start thinking about the colour palette & style for this project. It's always a good idea to start this process as early as possible, while you have that initial huge burst of energy for the idea. & given that there will be changes made to either the story, characters or even stylistically, know that you can only ever improve on the art. So don't be scared, I think that's what I'm trying to get out.
So here we are colouring up a sample spread, clearly unfinished & in a state of flux. & below a quick video of my process from scanned image to coloured up character. For a better look pop on over to my youtube channel.
OK. So those of you who follow me on twitter or instagram, will have noticed over the last couple of days that I've been posting spreads from a new Picture Book concept. This is something I've been meaning to do for a while now but I tend to get carried away & before you know it the moment has gone.
This is not by any means a way for me to drum up interest in a book concept but more as a diary of the journey from idea to finished art. How this particular concept came about & my very unregimented way of working. This query comes up quite a lot both in & out of publishing circles, 'how do you get an idea? 'what happens next? 'how do you make the book? 'how long does it take?
So this time we'll do it before we reach a point of no return...
This book concept came straight out of a line that popped into my head 'Lucy Frost Is Lost'. At the time I was at my desk & had just been sketching out a character to paint up & send to a friend as part of an art swap. So here was this line of words & here was this character sitting in front of me. Now, PB (picture book), ideas never follow the same pattern in the way they come about or even the manner in which they evolve but when it happens this way, there is always a lot of initial energy. Think of it like colliding atoms. So, in this instance it was what has turned out to be the title & the main character. BANG!
I should point out that as I speak the script is unfinished, the thumbnails are incomplete & this could all turn out to be a great load of pants (rubbish). & that does happen, quite a lot in fact. Some ideas just never fly. It's all a gamble but if you don't try, well...
So, without further ado, I am pleased to introduce you to Lucy Frost
& as a way of showing you how unstructured I am here are the current incomplete thumbnail sketches
& for those of you who are going to ask, no, I don't usually work in red pencil. It happened to be at hand when I sketched Lucy & I stuck with it as you'll see with the full scale spreads. Switching up your tools of choice is a great way for allowing yourself a fresh perspective on how you work. & in any case, what's not to like about red.
In the next post I'll talk about the second trigger that helped kick this script off, switching up perspectives.
If you'd like to watch the spreads appear in real time please do hop on over to my twitter or instagram accounts.